The Woman Who Carried a Garden
A portrait becomes an inner landscape. We look at the strange intimacy between the human figure and the worlds it contains.
Read storyArelle is an independent journal devoted to surrealism, visionary art, symbolism, the uncanny and the extraordinary worlds artists create beyond the visible.
Enter the journalStories about extraordinary works, emerging artists, hidden meanings and the strange territories where imagination becomes another form of reality.
A portrait becomes an inner landscape. We look at the strange intimacy between the human figure and the worlds it contains.
Read storyWhat happens when artists stop painting what they see and begin painting what they remember, fear, imagine and feel?
Read storyWhy can an impossible image feel more emotionally recognizable than an ordinary photograph?
Read storyLong-form criticism and visual essays are at the heart of Arelle.
Surrealism has never been only about strange pictures. It is about what happens when the rules that organize ordinary reality are loosened. A doorway can become a memory. A face can become a landscape. A room can contain a lifetime.
This is where Arelle begins: with the belief that an artwork can be a doorway into a reality that cannot be reached by description alone.
Explore the essayPortraits and conversations with artists working between dream, memory, mythology, emotion and reality.
A collection of visual essays, artist conversations and explorations of the places where reality begins to dissolve.
View Issue 01A publication for artists and readers who find beauty in the strange.
Arelle explores surrealism and its neighboring worlds: visionary art, symbolism, magical realism, fantastic art, dark romanticism, metaphysical art, outsider art and experimental visual expression. We are interested in work that creates a feeling before it gives an explanation.
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